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    Expand your knowledge with appreciation of that era. Discover the important part it played on Georgia's citizens. See Civil War maps. Click on light blue links for more info. Alexander H Stephens Park - This site combines the recreational fun of a state park with the educational resources of a historic site.

    Named after the V. Stephens State Historic Park features a Confederate museum with one of the finest collections of Civil War artifacts in Georgia, including uniforms and documents. Stephens' home, Liberty Hall, is renovated to its style, fully furnished and open for tours. Beautiful outdoor facilities make this park a treat for both nature lovers and history buffs. Located in Crawfordville, GA.

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    Since the Revolutionary War American prisoners of war have endured untold hardships, and shown tremendous courage. I to exitthen east on Highway 20 to Spur 20 designated GA on some maps. The museum has over 1, Union and Confederate artifacts, including cannons, uniforms, and flags, visitors experience the Civil War through the eyes of soldiers and civilians. In Atlanta, Georgia - Visit Atlanta History Center Barnsley Gardens - The house was built on an acorn-shaped hill reputedly cursed, and Indian legend warned it should be avoided as an unlucky site.

    But, having enjoyed a Midas Touch, perhaps Barnsley was unconcerned with local legend. The later life of Godfrey Barnsley was in tragic contrast to the early years that had made him one of South's wealthiest men. Fortune changed for Barnsley shortly after moving his family to Woodlands. For the best in international dating reviews check out ForeignSinglesFinder. Our featured review this month is of A Foreign Affair, also known as Loveme.

    Bellvue is a stately ante-bellum home of Benjamin Harvey Hill, lawyer, Georgia and United States congressman, is regarded as one of the finest examples of Greek Revival architecture in the state of Georgia. Thee in the dining room of the house. Their son, Theodore Roosevelt became our 26th President. Cassville - An "almost" battle town was burned; Confederate cemetery stands, plus marker for courthouse square.

    Cassville was created by the Georgia Legislature in to serve as county seat for simultaneously created Cass County now Bartowone of ten original counties carved from the former Cherokee territory. Chickamauga-Chattanooga National Military Park - From strategically placed observation towers placed on the Chickamauga Battlefield, Missionary Ridge, and Lookout Mountain, observers and students could comprehend the grand campaign that extended over a mile front and follow many tactical details of the actual battle.

    No battlefield park of this quality and magnitude could be found in any other location in the world. Most of the 1, monuments and historical markers on the battlefields were planned and placed by Boynton and other veterans of the battles.

    The company's products and its steady growth were important factors in the economic development of Columbus and the region. The recently discovered names of the Confederates are engraved on the Memorial Wall. Toll Free or - Address: ExitWalnut Avenue east 1.

    Cemetery entrance is straight ahead. Confederate section is to the right of the rock chapel inside the cemetery. Near Downtown in Dalton's Historic District. Open daily 9 am - 5 pm except Christmas. Off US near bridge in Columbus. Confederate Powderworks at the Augusta Canal Sibley Mill - 2, pounds of first-quality gunpowder was produced here.

    At the beginning of the Civil War gun powder supplies for the Confederate armies were insufficient. In Jefferson Davis, president of the Confederacy, charged Colonel George Washington Rains with solving this issue by creating a local supply of gun powder.

    Sit at the center of a sweeping panorama of the Battle of Atlanta, fought on July 22,during the American Civil War. You can also see artifacts of the war displayed in the Civil War Museum and a steam locomotive known as the Texas, a veteran of the Great Locomotive Chase of Drummer Boy Museum - On the main street of the little village of Andersonville the undistinguished front of a turn-of-the-century brick and frame building hides a national gem, Gerald Lamby's Drummer Boy Civil War Museum.

    Representatives of the Smithsonian Institute, Editor David Roth of Blue and Gray Magazine, five members of the Georgia Civil War Commission, and thousands of others have visited this Museum and have been astonished at the worth of the collection. Breastworks built by Civil War soldiers during the Atlanta Campaign. Open during daylight hours. Scenic view from the top of Dug Gap Mountain hiking trail. West Dug Gap Battle Rd. Take exit off I and go west 1.

    Park is on right side of the road. Fort Jackson - Imagine being in a large musty fort. The smell of cannon and musket smoke fills the air. You and hundreds of other soldiers are packed together in this large fort.

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    The roaring of cannon fire fills the air. You feel the impact of large cannon balls smashing into the walls. People rush past you in all directions. You see hundreds of soldiers off in the distance and see their muskets and cannons being fired. When you begin to think of all that is lost, reinforcements come to the rescue. Fort McAllister Historic Site - Located on the bank of the Great Ogeechee River south of Savannah, this park is the home of the best preserved earthwork fortification of the Confederacy.

    The sand and mud earthworks were attacked seven times by Union ironclads, but did not fall until captured in by Gen. Sherman during his "March to the Sea. Fort Pulaski National Monument - The Battle for Fort Pulaski in April was a turning point in military history featuring the first significant use of rifled cannons in combat. These accurate, long-range weapons shattered Fort Pulaski's walls from over 1 mile away.

    After 30 hours of bombardment, the fort surrendered. The battle surprised military strategists worldwide, signaling the end of masonry fortifications.

    Many soldiers lost their lives that day, unaware that Lee had surrendered to Grant 7 days prior. Fort Tyler boasted an impressive list of heavy artillery. The three cannon positioned there were strategically placed to protect against attach from two corners, while the heaviest piece was placed at another corner to protect the rail system and bridges below the hill.

    Georgia Historical Markers at this site describe the action. The wartime church was at this point. It was also General Sherman's headquarters during Federal occupation of Savannah. John's Church Jarrell Plantation - Nestled in the red clay hills of Georgia, this cotton plantation was owned by a single family for more than years.

    Sherman's "March to the Sea," typhoid fever, Emancipation, Reconstruction, the cotton boll weevil, the advent of steam power and a transition from farming to forestry. When Confederate President Jefferson Davis and a few remaining staff members crossed the Savannah River into Georgia on May 3,they were headed for the Western theater of war where Davis planned to unite rebel forces and continue fighting for the 'lost cause.

    At dawn, they were surrounded by 2 independent Union cavalry groups who were unaware of each other's presence. Gunfire ensued until the federal forces realized they had been shooting at one another. Davis was taken prisoner and held in Virginia for 2 years until released. Today, a monument marks the spot where he was arrested.

    Visitors can tour the acre historic site that includes a museum and more. I south to Irwinville Exit; 1. Dix Fletcher purchased the warehouse inand after remodeling it, opened the Fletcher House Hotel in its place. During the early years of the Civil War, the hotel was used as a Confederate hospital and a morgue. The Atlanta Campaign started here.

    It was a hot and clear Monday, June 27,when some of the heaviest fighting of the Atlanta Campaign occurred here. Preserved are historic earthworks, cannon emplacements and monuments. National Prisoner of War Museum - Dedicated to the men and women of this country who suffered captivity so that others may remain free.

    Their story is one of sacrifice and courage; their legacy, the gift of liberty. The most popular trail red follows the free-flowing stream to the ruins of the New Manchester Manufacturing Company, a textile mill burned during the Civil War. Listed on the National Register of Historic Places, it is an example of authentic Greek Revival architecture containing fine period furnishings. At the rear of the Cannonball House stands a quaint two-story kitchen house built of hand-molded brick.

    The upper level of this house formerly served as quarters for the house servants. Few structures of this type remain in the South today. A Civil War military collection features officers' uniforms, company flags, swords, and guns used by Georgians during the War Between the States. It was the seat of Georgia's government during Civil War.

    Designed by noted architect Charles Clusky, an Irish immigrant, and built by Timothy Porter of Farmington, Connecticut, the Mansion looms over Milledgeville with its stately columns.

    Located in Milledgeville, Georgia. Visitors can travel roads used by Federal and Confederate troops, see earthworks constructed by these men, and walk through the same ravine where hundreds died. During the Civil War, the mill was used as a campsite by soldiers from both sides.

    While occupied by the Union army, the mill was considered a valuable resource for food and was not destroyed. The Prater family operated the Mill until the 's.
    There was a time when Port Augusta was primarily a port.

    Lying at the top of the Spencer Gulf it was vital to all the properties in the Flinders Ranges and beyond. The port was the point where wheat and wool were loaded on clipper ships and transported around the world. The Stuart Highway heads north and 2, km later you will be driving into Darwin. Head west on the Eyre Highway and 2, km after you have crossed the Nullarbor Plain you will reach Perth.

    Port Augusta really does sit at a crossroads and, by strange serendipity, the roads really do head to the primary points of the compass - north, south, east and west. Not surprisingly everyone who passes through Port Augusta needs to stop at the Wadlata Outback Centre. It provides valuable travel advice and is a wonderful introduction to the lives and history of the Aboriginal desert people who, for over 40, years, have lived in the lands that surround this strange city.

    Location Port Augusta is located km north of Adelaide. The local Aborigines knew the area as Curdnatta, meaning "sandy place". Most are contained within four blocks of the Wadlata Visitor Information Centre.

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    The places of particular interest include: It provides extensive information and maps so the traveller can plan their trip into the Outback. It looks at the great challenge of transport and communication in the desert and alerts the traveller to the unique set of forces which created modern day Central Australia. It is open Monday - Friday 9. Wadlata's Tunnel of Time A superb opportunity to experience the world of the Aborigines who have lived in the area for the past 40, years and the European settlers.

    This interactive experience starts with the creation of the Flinders Ranges, includes fossils and a prehistoric lizard, recounts Aboriginal stories from the Dreamtime, tells stories of early settlers and the ongoing battle to get adequate water supplies, explores the desert fauna and flora, includes both School of the Air and Royal Flying Doctor experiences and looks at opal mining and the legendary outback postman, Tom Kruse. Mural on the Hill Located on the corner of Flinders Terrace and the Augusta Highway is a mural made from hand-painted tiles.

    It was created by artist Diane Turner and depicts the history of the area from the Dreaming through to the present day. St Augustine's Church The foundation stone for the church was laid in and the first service held in The church was replaced in The bell was purchased in for the first church and the hall behind the church was used as a school for boys after Flinders Hotel This hotel was the fourth built by Alexander Mackay. Completed in it was, at the time, reputed to be the largest hotel in South Australia.

    The town was booming at the time and between a total of twelve hotels were built. Today it houses offices for public servants. It was burnt down in but successfully rebuilt with the original facade in Although somewhat unloved it still has a ballroom and a two-storey theatre.

    It holds regular exhibitions both Aboriginal and non-Aboriginal and celebrates the art of the Aboriginal language groups who live in the Port Augusta region. It is open weekdays between Tel 08 There are tours of the base which include a video presentation of the work of the Royal Flying Doctor in the 21st Century and a visit to the Alf Traeger Communications Room which deals with emergency calls from all over thesquare kilometres served by the base.

    Tel 08 or check out https: For more information tel: Water Tower Lookout Located just across the bridge to the west of the town on Mitchell Terrace this old iron water tower the first one was built in was built to provide water for people living in Port Augusta West. Today, when you climb four flights of stairs, it offers panoramic views across Spencer Gulf, the salt pans to the north and the Flinders Ranges. Other Attractions in the Area Australian Arid Lands Botanic Garden Located 2 km north of Port Augusta on the Stuart Highway and on the edge of the desert this ha site offers dramatic views across the Flinders Ranges and provides an insight into the rich diversity of flora on the Australian desert.

    The garden has two bird hides and there are excellent views from the Matthew Flinders Red Cliff Lookout. The garden is open from 7. Matthew Flinders Red Cliff Lookout Just beyond the Botanic Garden there is a dirt road to the east are some impressive red cliffs, first sighted by Matthew Flinders when he explored the upper reaches of Spencer Gulf on 11 March, Like most sites there are excellent informative signs which explain the history of the area and on the one describing Flinders voyage up the mangrove-edged swamplands is a note on Robert Brown: Unaffected by seasickness on board the Investigator, Brown used a primitive microscope to meticulously record more than 3, plant specimens; 2, of these were new to science.

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    Brown also lead an ambitious inland expedition with a small party that included botanical artist Ferdinand Bauer. In those days artists accompanied scientific expeditions to accurately record what was seen because there were no cameras.

    The group trekked a very difficult 24 km from the coast to the highest peak to the east which Flinders later named Mount Brown. The route from Port Augusta to Quorn a distance of 78 km which takes 2 hours each way and has a stopover of 2 hours - 6 hours in all departs Port Augusta at The website explains the journey: Travelling the old Ghan route over red earth and bluebush plains from Port Augusta, you'll watch the ranges creep ever-closer before entering the Pichi Richi Pass with its rocky outcrops, dry riverbeds and beautiful hilly scenery.

    The Afghan Express is the name railwaymen gave to the passenger train that ran from Terowie to Oodnadatta, through Quorn, in In time, this was abbreviated to the Ghan. The railway was ultimately extended to Alice Springs by For more details tel: From the s until Port Augusta relied on its two power stations - Playford B and Northern - for employment.

    The brown coal was dug at Leigh Creek, transported by train for km, and turned into electricity which powered most of South Australia. In Playford B was closed down and Northern was closed in May, There are a number of companies eager to turn Port Augusta in a solar power centre. This will create jobs, save 5 million tonnes of greenhouse gas emissions, improve the health of the local community and ensure energy security and stable electricity prices.

    Read about it all at http: Horrocks discovered a pass Horrocks Pass through the Flinders Ranges and onto the coastal plain. It was supplied with coal from Leigh Creek.
    Click any name below to open more details. Click again to close. Woodcock was born and raised in the suburbs of New York City. After high school he traveled to West Virginia to visit a friend and was attracted to the mountainous beauty of the state.

    He met his wife, Mel, in Elkins through mutual friends. They moved back to West Virginia in and have lived in Elkins since Kevin also is involved with the ArtsBank Earth and the Arts program. When I was young the wilderness seemed like a place of mystery and adventure.

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    This sense of mystery and adventure is still with me when I am creating artwork. I find some music actually causes me to envision landscapes and some I use for the energy it gives me to keep going. I am currently working on a series of pieces that are inspired from some of my favorite places in the Monongahela National Forest. Basic woodworking skills are helpful but not required. The banjo is a creation of the New World, descended from the instruments and musical sensibilities of enslaved Africans and transformed into a truly African-American instrument.

    The earliest banjos had bodies made of gourds, and by the s, banjos were found more commonly with wooden rims. In this workshop, participants will make their choice of a gourd-bodied or tack-head banjo. This workshop is open to all levels of woodworking experience, but a basic familiarity with stringed instruments is necessary. In building a gourd banjo, the form the instrument took in its most primal state, participants will learn the use of tools available in the 18th century spokeshave, rasp, file, reamertools useful today bandsaw, drillpressand something about the essential nature of the banjo.

    Participants will be provided with a profiled hardwood neck, a gourd or wooden rim, goatskin, tacks, nut material, nylon strings, and tuning pegs. A few tools to be purchased by participants will be recommended after signup. Please register by July He is one of few contemporary makers of the earliest styles of gourd banjos, ranging from those of his own design to exact replicas of historic instruments.

    His reconstructions of eighteenth- and early nineteenth-century banjos have been featured internationally in museums, art galleries, movies, documentaries, and live performances. InScott Didlake, a master early banjo builder living in Jackson, Mississippi, offered Ross an apprenticeship.

    Photographs of his instruments have appeared in Picturing the Banjo by Leo G. In Ross received a Maryland State Arts Council Apprenticeship to study techniques of late 19th-century banjo construction with master luthier Kevin Enoch. They feature intricate mother-of-pearl inlays, engravings, hardwood necks, and ebony fingerboards. The exhibit at the Baltimore Museum of Industry explored the mid- to late-nineteenth century Baltimore banjo maker William E. In this workshop, participants will get an introduction to green woodworking, which is a traditional way of working with wood within certain specifications of a higher moisture content.

    For the most part, the wood we work with will be freshly cut, making it easier to turn or carve. The first day or two of the workshop will be built around safety, tools, process, and design. We will learn about getting wood blanks out of a log for turning and carving. We will discuss knife and axe safety, sharpening, and spend time learning the correct cuts for carving wooden utensils.

    We will then move into bowl turning on the spring pole lathe. Participants will learn about preparing blanks and preparing them for the lathe. Then we will spend several days turning bowls and carving. Five days will be ample time to learn the basics of green wood carving and bowl turning.

    Please be aware that working with the spring pole lathe is a strenuous physical activity. There will be four spring pole lathes available for use in the workshop, and participants should be prepared to share lathes and to engage in carving projects or activities when not turning on the lathe.

    Participants should come prepared to work! Tools will be available for purchase at the end of week, but all tool use during the workshop is included in the costs. All wood and tools provided.

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    Nate Chambers at lathe. Bowl turned on spring pole lathe. He works primarily in the world of traditional craft: He has been fortunate enough in the past five years to work with some of the best craftsman in the world, gathering and sharing information as he learns more and more about traditional crafts and how to apply the techniques in a modern, fast-paced world. One of the questions he is trying to answer is how to work efficiently enough to make a living while trying to do the least amount of damage environmentally.

    Part of the answer comes from working with hand tools, which is a skill he teaches in classes and demonstrations in different parts of the country. Explore all the skills you need to know for weaving beautiful cloth and projects on a loom. No prior knowledge or experience required! Participants will learn the differences in several kinds of looms but will focus their work on multi-harness weaving.

    We will cover the basics of how a loom works, becoming familiar with all of its parts, how they work and how to troubleshoot problems. The workshop will cover how to prepare your yarn to put it on the loom, how to warp a loom from start to finish, and how to read various styles of written patterns.

    Participants will work together to produce sampler dish towels. Then, they will be walked through the process of designing their own independent project, creating the warp and dressing the loom themselves to weave either a dishtowel or a scarf.

    Becoming a serious knitter in college, she soon followed the thread of fiber down the rabbit hole and has now been a spinner for 17 years and an obsessed weaver for 6, especially of gigantic coverlets, having fallen in love with their history. Her spinning has won awards at the Maryland Sheep and Wool Festival, including the overall Best Skein award in and the Grand Prize for blanket weaving in She has taught both spinning and weaving for nearly 10 years. Choose to make a footstool or bring a pattern to colorplan and hook with embellishments.

    The footstool will have tin cans as the base and be covered with fabric. For information about their fascinating work, viisit ArtWools. Supplies needed will be discussed before class including at least seven cans, fabric and yarns. Participants who bring a pattern will receive personal guidance in selecting materials and techniques.

    These lessons will benefit all participants as well. Participants should have some rughooking and sewing experience. Please bring a frame, cutter, hooks, wools, needle, and threads. Materials fee varies, depending on participant projects. Feller learned rughooking in and has used the techniques with other handwork skills to explore traditions and contemporary design.

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    She created hooked rug patterns under the name of Ruckman Mill Farm, recently selling the business to a four generation company in Vermont. Now concentrating on studio work, teaching, writing, and advocating for the arts, her opportunities to exhibit have lead to honors.

    Her work is presented online under the business site of ArtWools. The instructor will guide you through the process of designing, roughing out and finishing your own alabaster sculpture. The class will focus on the safety, tools and techniques necessary for soft stone. This is an introductory course, however those with a bit of experience are welcome as well.

    Includes alabaster stone and a set of basic tools for participants to take home. His work focuses on three dimensional sculptures and low relief surface carvings with nature-oriented themes. Kevin has twelve years of experience sculpting stone and a formal education in geology and geography.

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    He has found success as a stone artist by combining his understanding of stone structure with a variety of carving tools and techniques to highlight unique characteristics of the stone he selects. Kevin also has twenty-two years of experience in education and finds great satisfaction in teaching others how to enjoy the processes and results of stone work. This workshop serves as an introduction to traditional metalworking techniques for the beginning blacksmith, and will be taught as a combination of demonstration and personal instruction.

    The workshop will begin with a discussion of best safety practices, and move on to starting and maintaining coal-fueled forges.

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    Participants will learn fundamental forging processes including tapering, drawing out, splitting, and scrolling. Participants will then combine these basic techniques to create various functional and decorative pieces such as wall hooks, fire tools, and other types of hardware.

    The workshop will also make time for participants to work on personally selected projects for which the instructor will provide assistance on process and design. A limited number of spaces will also be open to those with prior experience to work on personally selected projects with design and technical guidance from the instructor.

    All participants should bring a cross-peen hammer and a set of tongs, as well as eye and hearing protection, welding gloves, and closed-toed shoes.

    His first experience in the craft was through a workshop with Augusta as a high school student. Afterward, he worked on the student-run blacksmith crew while studying history at Warren Wilson college in Swannanoa, North Carolina. He has since gone on to work as a smith in living history sites, instructional settings, and production shops in West Virginia, Michigan, and North and South Carolina, as well as working on various public history and historic preservation projects.

    In his work as an independent craftsman, he focuses on adapting traditional forms and processes to fit modern uses. Judie Smith will assist. She teaches the secrets of authentic home-style Cajun cooking.

    She will be assisted by Judie Smith. She has made numerous visits to Louisiana and has connected with Cajun culture through Augusta and her friends there. Come discover for yourself how to create unique pieces of gourd art.

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    Learn basic and advanced techniques as you are guided through using three basic tools: Learn how to create surface textures by carving, stippling, or cutting out waves of design. Wood burn and cut out negative space to enhance design elements. Explore ways to enhance your gourd with color by using inks and dyes.

    Create functional bowls, light fixtures, or whimsical decorative items.

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