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    The Rite of Spring Score. The Rite of Spring For solo piano. Symphonie de Psaumes Stravinsky, Igor: Trois Mouvements de Petrouchka For piano. Through the Looking Glass, Op. Aria Cantiga from Bachianas Brasileiras No. Dansa Miudinho from "Bachianas Brasileiras No. Concerto in A minor for 2 violins and string orchestra, Op.

    Concerto in F major for violin and string orchestra, Op. Concerto in E major for violin and string orchestra, Op. Concerto in C minor for 2 violins and string orchestra, Op. Concerto in C major for 2 violins and string orchestra, Op. Fantasia on "Greensleeves" Arr. Symphonic Impressions Arranged by Richard Hayman.

    Score for symphonic band. Susannens Geheimnis Il segreto di Susanna Photocopy. Parts for band and strings no score. Glory Be 3 takesTwo Bits and a Piece 3 takes. Unknown 7-inch 45RPM test pressing Unknown artists: From the Broadway musical Lolita, My Love: Guinnevere CO 8-inch test pressing Davis, Miles: Elephant CO 8-inch test pressing Kostelanetz, Andre: Theme from Minnie's Boys 8-inch test pressing Lewis, Ramsey: CO single-sided 8-inch test pressing Lewis, Ramsey: CO double-sided 8-inch test pressing Lewis, Ramsey: The Complete Flute Sonatas.

    Columbia Odyssey Y2 Columbia Masterworks M Robert Craft Conducting the Columbia Symphony. Columbia Masterworks ML Eugene Ormandy and The Philadelphia Orchestra.

    Columbia Masterworks MS Music for Organ, Brass and Percussion. The National Arts Centre Orchestra. Ensemble Instrumental De Montreal. Radio Canada International Columbia Harmony H Music from Wide Wide World. Solar Moth and Kobialka, Daniel: Appalachian Spring and Lincoln Portrait.

    Black Angels, and Jones, Charles: Shout Columbia AS Short and long versions. Burlesque Overture and Rhapsodic Variations. Concerto for Orchestra, and Schuman, William: In Praise of Shahn. Leonard Bernstein and the New York Philharmonic. Music for A Cappella Choirs. Oakland Symphony Youth Orchestra.

    Columbia Masterworks D2S Concerto for Violin and Orchestra, and Cowell, Henry: Columbia Harmony HS The Columbia Album of Richard Rodgers. Concert in the Park. Conducts Great Romantic Ballets. Conducts the Music of Alan Hovhaness.

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    Conducts Puccini's La Boheme for Orchestra. Conducts Romantic Waltzes by Tchaikovsky. Floating World - Ukiyo. The Seasons Ballet Suite. Great Moments from the Promenades.

    Love Theme from The Godfather. The Lure of Paradise. The Music of Broadway and Hollywood. Music of Victor Herbert. Plays the Greatest Hits of Broadway and Hollywood. Plays Music of Villa Lobos. Plays the Theme from Superman. Presents The Many Moods of Love. The Romantic Strings of Andre Kostelanetz. Scarborough Fair and other great movie hits.

    Strike Up the Band. A Tribute to Andre Kostelanetz.

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    The Very Thought of You. Vienna, City of Dreams. The World's Greatest Waltzes. Symphonic Fantasia, Kentucky Rondo. Hymn and Fuguing Tunes No. Charles Adler and the Vienna Orchestral Society. Columbia Modern Language Course. Columbia Masterworks F3L 1. Latin American Music for Guitar and Mandolin. Eight Etudes and Fantasy for Woodwind Quartet Romantic and Nostalgic Dreams. Concerto on Old English Rounds. The Harmony Military Band.
    Young and dynamic professional musicians on tour from the International Musical Arts Institute present a chamber music concert with selections from the masters.

    Bach - Concerto No. Summer Reading Program relating to an Australian theme Wednesdays, pm for grades ; Thursdays, am for grades pre-K through 1 For more information, call or email Kathy at inez ncia. Kids Jamboree Monday-Friday, 8am-4pm The Family Resource Center at Gorham Main Street, Gorham or Youngsters will be involved in games, sports, crafts, special events, bowling, library visits, and more.

    Call for more details. A Sew Day is held on the Saturday following the Monday meeting. All are welcome to join or visit the guild at these meetings.

    Quilters of all levels of experience are invited to display their works at the North Country Quilt Show to be held at the St. Kieran Center for the Arts this fall.

    For more information, contact Sylvia Charest at rcharest ne. Explore this rich history through artifacts, photographs, scrapbooks and more. Museum located within a Grand Trunk Railway station, with a model railroad exhibit in a boxcar. For special group visits or to make an appointment, please contact Mary Jane Ames at The Society meets on the third Monday of every month in the Vestry of the Gorham Congregational Church unless otherwise noted. Reading Room is available for perusing high-school yearbooks or doing research in the many "Brown Bulletins," city reports, antique ledgers and various historical documents.

    Call for more information or to reserve a table. Please dress for painting. August 6 - Science Magic with the Museum of Science - Come learn about the science behind magic and the magic behind science Thursday, July 24, 3: A Knight's Tale Young adults in grades 6 and older are invited.

    A Ninja's Tale by Whitesel. Grades 6 to 12 welcome. Sunday, August 3, 3: Anyone in grade 6 and up welcome. Wednesdays, through August 20, Guests and older siblings are always welcome at story times. No registration is necessary. Ages 9 to adult. Mondays, through August 18, Come alone or with a partner. Session II will provide more advanced students with new information and can serve as a refresher if you already dance.

    Dance shoes are recommended. Ages 15 to adult. Tuesdays, July August 28, 10amnoon - Youth Chamber Ensemble Students play classical chamber music in small groups. All instruments are welcome. Tuesdays, July August 19, Each session is followed by a concert. Tuesdays, July August 28, 6: Music for Toddlers ages 18 months to 3 years runs Young Musicians ages runs 2: Thursdays, July 24 and July August 21, Ages 13 to adult.

    Monday-Friday, July August 1, 9am-2pm - Classical Music Camp For students interested in playing piano or stringed instruments, ages Monday-Friday, August9am-2pm - Rock Band Camp For players and singers ages ready for the challenge of working with a band. Bach - one performed each week of our 12th summer season. Air conditioned and fully handicap-accessible; parking accessed from Bradley Street. Admission at the door. Thursday, July 24, 7: Treasures from Russia IMAI presents an evening of chamber music by Russian composers of the 19th and 20th centuries, highlighted by a special exhibition of the art of Russian orphanage children.

    Includes Bach Concerto of the Week: Wednesday, July 30, 7: Bring the family, bring a picnic dinner; some food will be available for purchase. Call for advance tickets. Free and open to the general public.

    All work must be brought to the library by Friday, August 1, 5pm. We'll learn some Australian folksongs and hear some Australian stories. Thursday, August 7, 6: Come early and bring a picnic dinner if it's not raining.

    View work by many of the area's finest artists. Donations are gratefully accepted. Denmark Arts Center Events.
    How to Hold the [Drum Stick].

    Musical Instruments for the Modern Band and Orchestra. Teachers College Index The Boston Music Company, nd.

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    Concerto No 1 in A Minor. Theodore Presser Co, Art Publication Society, Selection from Take It from Me. Alice, Where Art Thou? Bach, Carl Philipp Emanuel. Church and Company, nd. The Boston Music Co. A Little Treasury of Classics as Duets. Heritage Music Publications, The Golden Book of Favorite Songs. Der Sohn der Haide.

    Adagio Cantabile from the Septet Op. Symphonie No 9 Op Pathetique, Moonlight, Sonata Op Carry me Back to Old Virginny. N Clifford Page, arr. Oliver Ditson Company, Foundation to Trombone Playing. Rev ed by Simone Mantia. Scale and Arpeggio Studies for Violin. Burk Gene and Louis A. Selection from Ziegfeld Follies Jonah Swallowed the Whale. Marks Music Corporation, Century Music Company, nd.

    Waltz of the Flower Fairies. Six Easy and Brilliant Trios. Dance of the Dolls. A Collection of 20 Standard Melodies. Century Music Company, The Popular Music Pub Co. Largo from New World Symphony. Bach Music Company, Silhouette in F Minor. The Masters and Their Melodies. The Willis Music Company, Century Music Publishing Co. Favorite Duets for Cello and Piano. Thirty-Six Studies or Caprices.

    A Treasury of Stephen Foster. Robbins Music Corporation, Friml, Rudolf and Herbert Stothart. Selections from Rose Marie. Zondervan Music Publishers, Inc. Arrival of the Guests. Century Music Publishing Company, The Beautiful Easter Morn.

    Wedding of the Winds.

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    Hammerel, Victor and John Wiegand, arr. Collection Litolff No M Witmark 7 Sons, Oliver Ditson Company, nd. Dance of the Demon. The Willis Music Co. Selection from Oh Lady! Princess of India Overture. Studies in Easy Passage Playing. Farewell to Cucullain Londonderry Air. Song of the Brook. Excerpts from the Opera by Gounod.

    Rhythmic Paraphrases of the Classics. Excerpts from the Opera by Verdi. Levant, Oscar and Sidney Clare. Forster Music Publisher, Forster Music Publisher, Inc. To a Wild Rose.

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    Christmas Carols for Treble Choirs. Nearer My God to Thee. Standard Graded Course of Studies for the Pianoforte: A Source Book of Excerpts. The New American Song Book. Barcarolle from Tales of Hoffmann.

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    String Sextet — Movement I 4: String Sextet — Movement II 5: String Sextet — Movement IV 3: As a sideline to the radio business Ben Glass would sell some records as a small part of the business. It grew to be a big part of the business finally becoming a proper record store. Growing up in this American entrepreneurial environment, the young Philip would learn his first lessons in the music business.

    He would see people hand a five-dollar bill to his father and his father would hand them a record. This was his first exposure to what for many is a complicated relationship of art and commerce in America. In order to exercise this privilege, Philip and his brother Marty would go down into the basement and break the records that had not sold.

    This was the first job that Philip Glass ever held in the music industry. Such an action was a logical answer to a problem: Being a very practical guy, as we saw with the evolution of his businesses, Ben Glass had another idea. It just so happens that the music which was not selling was classical and 20th century chamber music by composers like Schoenberg, Shostakovich, and Bartok.

    It is important to the history of music is that Philip Glass spent time as a young person at home with his father listening to chamber music records. Ben Glass was not an educated musician, but he was a music lover in best sense. He composed it as a piece that he hoped his father would have liked in the tradition of the great concertos by such composers as Mendelssohn, Sibelius, and Tchaikovsky concertos.

    These juvenilia were among the up to 75 pieces while at Juilliard over about a five year period, as Glass was not initially accepted as a composition student at the school and another 20 or so pieces while working in the Pittsburgh School system through the Ford Foundation for two years.

    Examples of pieces of this time are String Quartet, Sonatino Nos. As his musical language settled and matured, the Philip Glass Ensemble, a vehicle for the new music that Glass was composing, was formed essentially a chamber group. The reasons for this is because the requirements of chamber music are typically more complex the virtuosic than say your ordinary Romantic symphony. Clearly by the time of composing Verklaerte Nacht, Schoenberg was gearing up to challenge all of the rules of classic tonality and devise new ones.

    Glass has pursued his own challenges to conventional tonality that usually manifest in very individual polytonality. However, the choice of music for this release was unified not by conceptions and ideas about tonality, but by less controversial criteria: This is return of sorts for Glass to the music of his youth and the recordings of his youth is significant.

    Glass has always described himself as a theater composer, yet on this recital, his Symphony No. Not only was the repertoire carefully considered, but the way this record was recorded was as well: The end result is almost always thrilling in its ebullience and pathos exactly because of the emotional arc of the performance, unencumbered by the random audible page turn or occasional ambient noise. Indeed on the nights of the recordings, there was an appropriately lugubrious rainstorm outside on the New York City streets.

    This type of recording gives is a snapshot of an event that happened in real time and is an actual document of these fine players performance, and brings to full-circle a journey which Philip Glass began back in Baltimore Maryland almost 70 years ago.

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